My class has started and I am so happy!

Today is the day.  Today I start my art class!  I have my supplies, except for a couple of paints I had to order from Dick Blick.  I have watched my videos and read all the posts on the Ning site from my classmates.  I have gessoed my little canvases and I have printed out the pictures to transfer to the canvases.  I am so excited.

After I eat something, I will be doing the practice drawing of the face, just like the video.  I am going to be having a fun time Playing Art!

I will post my completed work when I get done.  For now, here is a picture of my little canvases all ready to go!

Creating Paper Clay, "Santas" for your tree or holiday decorating

Here is an Christmas craft I found but can't figure out how to get the pictures to copy.  So, I have copied the instructions below and included the link to the original posting PDF so you can see the pictures.

I have started making some of these and will be showing you the progress as I go along.  So far, all I have done is make the actual Santa's parts out of clay and have been drying them.  Here is what I have so far:

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Inexpensive and original!

See the original instructions here so you can view the pictures!

Instead of baubles, cute dangly Santas and red hearts could be hanging on your Christmas tree this year! They're really easy to make using air-drying modelling clay. A creative Christmas craft idea - great fun to make with children too!

Material:

Paper clay (sufficient for approx. 15 Santas or for approx. 18 hearts), 1 kitchen knife, 1 tile or piece of smooth film to serve as a work surface, several transparent sleeves for drying on, 1 reel of wire, 1 pair of pliers, several toothpicks and skewers for modelling with, 1 rolling pin for rolling out with, 1 heart-shaped pastry cutter, 1 pair of scissors, string, 1 bowl, 1 box of paints, several paint brushes for painting with and a moist cloth.

Step l:

Roll the paper clay out to an approx. 5 mm thick sheet. Place a triangular-shaped template for the Santas on the sheet, outline the form onto the paper clay using a wooden stick and then cut out with the knife.
If you want to make hearts, simply cut the hearts out of the sheet of clay with the pastry cutter. Smooth all edges with water!

Step 2:

Hangers are inserted into the hearts straight away. Make them out of wire which you shape by wrapping around, e.g., a pencil. Leave the finished hearts to dry for one day on transparent sleeves. After half of the time, turn the hearts over so that the backs dry as well.

Step3:

Now it's time to transform the cut-out clay triangles into Santas. Note: before adding details, moisten the triangle first with water! First make a thin sausage out of clay which you then use for the fur edging along the bottom of the coat and the hat. For the eyes, place two tiny balls directly underneath the bottom of the hat and add pupils to them using the toothpick. Now attach an oval-shaped pug nose. A hint of a beard is added by drawing several lines with the wooden stick. Don't forget to make the holes for the dangly legs and hanger! If you want, you can give your Santa a handsome moustache. Simply press it on directly under the nose and add a whisker structure using the wooden stick. For the dangly legs, roll out an approx. 7 mm thick
clay sausage and cut into 1.5 cm long pieces. Make holes through the individual pieces using the wooden skewer, leaving you with elongated pearls. All finished parts are then left to dry for one day on transparent sleeves. Turn over every now and again to ensure that they dry evenly and that the Santa shapes don't bow.


Step 4:

The dried hearts are then painted all over with red paint from the paint box. Use a fine paint brush to give the Santas a rosy pink nose and cheeks. To do so, dilute the red paint very well. The hat and coat are painted red. Beard, face and fur edging stay white. Paint the pearls for the boots using black paint out of the paint box. Once the paint is dry, push a piece of string through the two holes on the bottom edge of the Santa (looks like a belt), thread a pearl onto each end of the string and tie a knot in the bottom. Another piece of string threaded through the hole in the hat and knotted at the end serves as a hanger.

Have Fun Making Them!


Tips:
Always wrap bits of Paper Clay that get left over while you're working in a moist cloth to prevent them from drying out, so that they can be used again later. Even when taking a short break in your work, cover the not yet finished pieces with a moist cloth.

Wrap open packs of paper clay well in cling film and keep in an air-tight plastic box. This keeps the clay soft for several days.

Make sure that the holes you make for the string in the Santa and pearls are large enough! Should the holes be too small, you can make them larger after hardening using a small electric drill!

One look at these silly characters explains why Laurie Hardin insists her job doesn't feel like work

Here is an article about one of the artists that I follow closely.  I love her work and find her ability to be so creatively productive envious.  She has a definite look to her work and I find her dolls to be both pleasing to look at as well as cheerful and fun.

Please read this article about Laurie Hardin, she is being featured in her local paper, but I think she deserves more exposure than just local exposure.  I am sure you will agree with me that her work is delightful!
You can visit the original work here>>
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Photo by: Sarah Mulder, Kearney Hub
Laurie Hardin paints details on a Halloween figurine. Hardin first saw the idea of Halloween figurines while watching HGTV.

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Posted: Saturday, October 31, 2009 9:30 am | Updated: 8:11 am, Tue Nov 3, 2009.

By SARAH MULDER Hub Staff Writer | 0 comments

KEARNEY - When Laurie Hardin was brainstorming names for her studio, she didn't have to look very far for inspiration - it was lying right on her studio table.
Hardin's two youngest cats always find a place to carefully walk, lay, play and even get a drink of water on her studio table. Hardin refers to them as her "studio boys," while her husband, Kelly, referred to them as "monkey boys" when they were little because their tails were, and still are, extremely long.
"When I was going to come up with a name and they kept being on my studio table, it just stuck," Hardin said.
Among the paintbushes, paint and figurines on the studio table is a container, once used to clean paintbrushes, with fresh water for the cats to drink. The cats' food, water and toy bowls are tucked safely underneath her table. They even have a special chair to jump onto when trying to get on Hardin's work area.
Hardin's Monkey-Cats Studio features hand-painted and hand-sculpted figurines inspired mostly by Hardin's favorite holiday, Halloween.
"Some people do really dark things, but mine are a bit more whimsical," she said.
Hardin said she saw the idea to make sculpted Halloween figures while watching HGTV one afternoon.
"What I started doing is making my own Halloween figures," she said, noting her initial goal was to make a shelf full of figures for herself.
Hardin admits the first figures she made were disastrous.
After she found a clay she liked that looked like old-style papier-mache, she started showing the figures to her friends.
And then she taught some classes on how to make them.
Then she sold some figurines at a craft show two years ago.
Now, she is in her fourth year of making figurines and recently took 62 pieces to a Halloween show in California called Halloween and Vine. She came home with only seven pieces.
"Halloween and Vine was huge for me," she said. Hardin even had to turn down orders for figurines because she is already about a dozen orders deep.
Before making figurines full time, Hardin, who has bachelor's and master's degrees in art, worked full time. She told her husband she wanted to paint landscapes full time for one summer.
During that summer, she received a couple commissioned pieces, and when she was done, she told her husband she would find work. But instead, she started selling her pieces at craft shows.
She said about a year ago, she realized she could make a living off her artwork.
"It's just been a wonderful thing. I've been so happy doing it," she said.
Hardin said she gets her ideas for figurines through drawings in her sketchbooks.
"I don't ever have a problem with ideas," she said. "Every time I run out of ideas, I just flip through these."
After picking out a figurine to create from her sketchbooks, she mixes clay, which she orders in 25-pound boxes, and works it by pinching or rolling it out. She covers a styrofoam figure with the clay, adds wooden dowels for legs and lets it air dry for about a week. Hardin said it usually takes her about eight hours to sculpt the figure.
After the clay is firm, she primes and paints the object, sometimes putting on eight to 10 coats of paint.
"My surfaces are never one coat of paint," she said. "I like what it does to the surface."
Hardin likes the fine details on her figures, all the way down to sharp points on the stars.
"I will go through paintbrushes like crazy," she laughed. Poking out of a large container on her studio table are new high-detail brushes. Any time those paintbrushes are on sale, she said, she picks up a bunch.
Hardin said she has about four return Kearney customers for the figurines, with more customers in Omaha and Lincoln.
However, almost everything she makes goes out of state. She ships many figurines to California or the East Coast.
"I didn't know when I first started that there were serious, serious, one-of-a-kind collectors," she said, noting a lady in Pennsylvania has more than 20 figurines.
In addition to craft shows, Hardin also sells the figurines through an online market place called SpookyTime Jingles and through eBay auctions.
Hardin also creates figurines for other holidays, but most have a Halloween twist.
"Even my snowmen kind of look Halloween-ish. I don't do that on purpose," she laughed.
Hardin said she will make about 130-140 figures this year and sells about six pieces per month.
"I just feel blessed to be able to do this. It doesn't feel like work," she said. "This is what I need to be doing."
e-mail to:
sarah.mulder@kearneyhub.com